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・ Phang Khon District
・ Phang Nga
・ Phang Nga (disambiguation)
・ Phang Nga Bay
・ Phang Nga F.C.
・ Phang Nga Province
・ Phang Nga Province Stadium
・ Phang Nga Stadium
・ Phangkhar Gewog
・ Phangureh
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・ Phani Bhushan (businessman)
・ Phani Bora
・ Phani Majumdar
・ Phani Ramachandra
Phani Sarma
・ Phania
・ Phania (insect)
・ Phania (plant)
・ Phania funesta
・ Phania thoracica
・ Phanias
・ Phanias (Athenian commander)
・ Phanias (spider)
・ Phanigiri
・ Phaniola (moth)
・ Phaniola caboana
・ Phaniola implicata
・ Phanis
・ Phanis armicollis


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Phani Sarma : ウィキペディア英語版
Phani Sarma

Phani Sarma ((アッサム語:ফণী শৰ্মা)) (1910–1970) was an Assamese theatre actor, playwright, film actor and director. Beginning as a stage actor, he appeared in the first film ever made in Assamese cinema, ''Joymati''. in 1935.
He acted in and directed ''Siraj'' in 1948 and ''Pioli Phukan'' in 1955.
==Early life and theatre==
The theatrical career of Phani Sarma started as a gatekeeper of the women's gallery of the prestigious Ban Stage situated at Tezpur. His father Molan Sarma was also an exponent of drama and was a noted actor of Ban Stage. Along with his father, Phani Sarma regularly went to the Ban Stage and closely observed the distinguished acting of a number of veteran actors like Indreswar Borthakur, Dr Lalit Mohan Chowdhury, Prafulla Borua. This inspired young Bolin (as Phani Sarma was popularly known) towards acting and had a deep impact on his future life. In 1928, he got the opportunity to act on the Ban Stage for the first time in the role of Akbar in the drama Rana Pratap. That was the beginning of a new chapter in the life of Phani Sarma.
In 1930, Phani Sarma joined the Kohinoor Opera, the first mobile theatre group of Assam, started by Natyacharya Brajanath Sarma. From Dhubri to Sadiya, from the north bank to the south bank of the Brahmaputra River, Kohinoor Opera performed its dramas, attracting thousands of spectators who came to see Sarma perform. Apart from initiating a theatrical movement, the Kohinoor Opera introduced co-acting on the stages of Assam. In 1931, Brajanath Sarma, with the help of Phani Sarma introduced female actresses for the first time to appear in their drama productions at a time when male acting was completely dominant, revolutionising the nature of Assamese theatre

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